PADA

Interview with She Performs

in

13.03.2019

Read my interview with She Performs Curator Holly Daizy Broughton, where in which we discuss my most recent projects developed in Barreiro, Portugal.

I’m drawn to the idea that the viewers encounter with my work might be brief or fleeting. Through the use of an ephemeral material, the viewers experience is all the more transitory and unique, dependant on them being at that place in that time frame before the work disappears.

Capítulo I, PADA at AMAC, Partes da Terra / Ground Parts IIII - Photo credit: Frederico Vicente

Capítulo I, PADA at AMAC, Partes da Terra / Ground Parts IIII - Photo credit: Frederico Vicente

Installation of Work - Capítulo I

in ,
 

Installation of the work Partes da Terra / Ground Parts - Floor Work IIII at the Auditório Municipal Augusto Cabrita, Barreiro, Portugal.

Testing water on the floor of AMAC, observing how it moves upon and interacts with the surface, how it forms and interacts with the light of the building.

Testing water on the floor of AMAC, observing how it moves upon and interacts with the surface, how it forms and interacts with the light of the building.

Installation of the ‘pool’ of water

Installation of the ‘pool’ of water

 
 
 

Over the course of several weeks I continued to add to the ‘pool’ of water, layering pigment and water, allowing it to interact with itself, allowing the minerals to dry and change their form.

 
 
Partes da Terra / Ground Parts - Floor Work IIII. AMAC , Barreiro, Portugal, 2019.

Partes da Terra / Ground Parts - Floor Work IIII. AMAC , Barreiro, Portugal, 2019.

Partes da Terra / Ground Parts - Floor Work IIII. AMAC , Barreiro, Portugal, 2019.

Partes da Terra / Ground Parts - Floor Work IIII. AMAC , Barreiro, Portugal, 2019.

Partes da Terra / Ground Parts - Floor Work IIII. AMAC , Barreiro, Portugal, 2019.

Partes da Terra / Ground Parts - Floor Work IIII. AMAC , Barreiro, Portugal, 2019.